Spotlight on ....
SID FELLER
Sid Feller who
died on 16th February,at the age of 89, was a
producer and arranger whose 30-year partnership
with Ray Charles produced lushly arranged hits
such as “Georgia on My Mind” and “I
Can’t Stop Loving You.”

As the head in-house arranger
for Capitol Records and then ABC Records, Feller
also worked with Peggy Lee, Mel Torme, Paul Anka,
Steve Lawrence, and Eydie Gorme, and later in
his career was the musical arranger for “The
Flip Wilson Show,” and a host of other televised
music specials.
But it was his special relationship
with Charles that marked the highest point in
his career.The two men struck up a close friendship
around the time Charles left Atlantic Records
in a dispute over the ownership of record masters.
Feller helped woo Charles to the ABC label in
1959, and the two turned out a series of albums
starting with “Genius Hits the Road.”
It was Feller who worked with Charles to produce
the two breakthrough albums “Modern Sounds
In Country And Western Music,” which brought
Nashville strings to Charles’s unique blend
of country, rhythm, and blues.Among the tunes
on the two disks were “You Don’t Know
Me,” “Careless Love,” “You
Are My Sunshine,” and “Your Cheatin’
Heart.”

In the liner notes to the Rhino
recording “Genius & Soul — The
50th Anniversary Collection,” Charles is
quoted saying,“Sid researched the hell out
of it and came up with 250 tunes. I picked the
ones I liked, and of the ones I picked,they were
all new to me except ‘Bye Bye, Love.’”
Charles is reputed once to have
said, “If they call me a genius, Sid Feller
is Albert Einstein.”

Their relationship continued
after Feller left ABC in the mid-1960s to work
in Hollywood, and Feller regularly toured with
Charles and conducted during his appearances with
orchestras.
Feller grew up in Brooklyn. His
father, an Austrian Jew, sold citrus fruit in
the downtown Manhattan Washington Market. Feller
learned to play trumpet, his primary instrument,
while in the Boy Scouts.He also played the piano,
and credited his early interest in music and arrangement
to his mother consenting to have one hoisted through
the window of the family’s Brooklyn walkup.
By the time Feller was in his
midteens he was playing gigs in the Poconos and
small clubs in Manhattan. Feller was completely
self-taught as an arranger, and he told intimates
that he began figuring out the craft one day in
the Catskills on an hours-long sojourn in a rowboat,during
which he produced the arrangement for a song he
had composed himself.
In 1938, he was playing in the
Hungarian orchestra at Zimmerman’s Budapest,
a 48th Street restaurant, and also taking lessons
from a trumpeter playing in the orchestra at nearby
Minsky’s Burlesque. It was there, while
watching his teacher play, that he first spotted
Gertrude Hager, a 16-year-old chorine. Three years
later, they were married at Fort Knox, Tenn.,
where Feller was stationed as a warrant officer
leading a wartime entertainment unit.
Feller had played in Jack Teagarden’s
big band before the war, and continued to provide
Teagarden with arrangements afterward. He toured
with Carmen Cavallero (“The Poet of the
Piano”), and in 1951 signed on with Capitol
as a producer, arranger, and conductor. At Capitol,
he worked with Jackie Gleason, Nancy Wilson, and
Dean Martin. He also led a band on “USA
Canteen,” later renamed “The Jane
Froman Show,” a short-format music show
on CBS.

In 1955, Feller moved to ABC
Records, where he provided arrangements for Charlie
Byrd and Woody Herman, among others, before beginning
his collaboration with Charles.
Although he had few writing credits,
he did get one for the song “You Can’t
Say No in Acapulco” for Elvis Presley’s
movie “Fun in Acapulco” (1963).

Feller left ABC in 1965 and moved
to Los Angeles and worked as a freelance arranger
and producer, working with Ms. Wilson, Shirley
Bassey, and Eddie Fischer. He added horn arrangements
on the Grass Roots’ 1969 album “Leavin’
It All Behind,” and horn and string arrangements
to the “Osmond Christmas Album” (1976).
His list of credits from the 1970s through this
year as arranger, producer, or conductor includes
blues, Broadway show tunes, comedy, jazz, Latin,
and lounge.

Feller slowed down significantly
after a heart attack in the late 1990s, and moved
to suburban Cleveland, where he was coincidentally
featured in a recent exhibition on Charles at
the Rock and Roll Hall of Fame. He was credited
as producer of eight of the 17 soundtrack songs
on the recent biopic “Ray.”
“I cried through the whole
move,” Feller told the Cleveland Plain Dealer.
“Because as I watched Foxx’s performance,
I really thought I was seeing Ray again.”
Sidney Harold Feller
Born December 24, 1916, in New
York City; died February 16 in Beachwood, Ohio;
survived by his wife, Gertrude, his children Lois
Feller, Bill Feller, Debbie Feller, and Jane Toland,
and five grandchildren.